Islamic Tiles

The multifaceted imaginative outlines, enrichments, and geometric shapes utilized on tiles and cut structural points of interest in Islamic civilizations, have not just been a vital field of current scholastic examination like math, workmanship, and building design, yet it has motivated specialists from as far and wide as possible. Arabesque and geometric plans have been at the middle of Islamic Art and have been reproduced and adjusted during the time until this day. 'I have dependably been entranced with Islamic examples and have embraced them in my clay tile plans to be utilized as Mandalas or contemplation central focuses, or basically as beautiful tiles', said Reem Hammad.

Rich, dynamically hued ornamentation is a recognizing normal for Islamic building design. As the human structure and allegorical representation are entirely taboo, there is an aggregate nonappearance of figure in Islamic structures. Rather, geometric examples and rich surface enrichment span unparalleled creative statures with stucco, block, marble and earthenware production. 

A percentage of the most punctual – and finest – presentations of clay tiling and elaborate engravings are to be found in the Dome of the Rock in Jerusalem, inherent the seventh century, thus, the most seasoned Islamic landmark saved in its engineering trustworthiness; and in that showstopper of polish from the western limit of the Islamic world, the al-Hambra in Granada, Spain